We shape the strategy first.
Then the words.

What I do.

  • Communication strategy across platforms.

    I work with a creative business to design a comprehensive communication strategy for every platform, from your website to social feeds to your blog and on to print media.

    Cross-platform communication strategy must be linked to a simpler objective: delivering a clear story about you and your work. What do you need to say about your work? To whom are you saying it? Why say it at all?

    Communication is central to building relationships, which is central to growing your business. First you do the good work. After that, people need to know about it to become a patron, collaborator or client.

    Getting communication right begins with strategy, not content. There is an effective way to develop strategy. Listening carefully is the basis of how it is done.

    You are the ultimate authority on what you do, on what you make, and who you make it for. Not me.

    If I don’t listen carefully to what you say and choose not to say, there can be no insight. Without insight, there can be no strategy. There isn’t even a starting point.

    Written content? That’s the easy bit. The hard bit is defining the overarching strategic context within which tactical decisions can be made about how, when, and with whom you communicate. When you have the strategy in place, the tactics become clear - and the content practically writes itself.

    (Actually it doesn’t, I do that too.)

  • Copy writing for any kind of channel.

    I can provide the words (the ‘copy’, in publishing terminology) for your chosen communication channels. This ranges from print to digital, website and blog to social feed.

    In 25 years I have had about 100,000 words published into legacy print media - actual ink on paper - both in Australian and overseas, with many tens of thousands more words published through digital media channels.

    Quantity is not quality. Nevertheless, through sheer quantity of practise I have got the hang of copy writing for diverse audiences, for my own businesses and for others.

    That point about audience definition is important. There is a stark difference between writing for industry professionals and writing for intelligent and interested lay people. Most of your buyers are non-professionals - interested lay people.

    By unconsciously using industry terminology and jargon, design writing by professionals often fails to communicate clearly to non-professionals. This can be fatal to the communication effort. You see this in designer’s websites frequently - they speak clearly and well to other practitioners, but miss the mark for the actual buyer or patron, who is frequently not ‘in the business’.

    Knowing the reader allows us to carefully choose the correct - clear - language and channel of communication. Reader first: mode and channel of expression follow.

  • Competitive bid coordination.

    I can help you by coordinating a competitive bid team, while writing content for your competitive bid, tender or EOI. The size of the team typically depends on the size of the bid. I’m comfortable in large and small teams.

    I have particular expertise in coordinating between content producers (those creating the written, design, visual and financial/technical content) and the graphic design team putting the documentation together.

    I have written hundreds of successful competitive bids, expressions of interest [EOIs] and tenders, large and small.

    My bid experience ranges from small government grant applications for as little as $50,000 up to major competitive proposals for international projects in excess of $1.5 billion construction cost.

Just to be clear: what I don’t do.

 

I don’t design and implement websites.

I work with a stable of supremely talented graphic designers and technical specialists to do that.

Remember: the visual design and aesthetics of the website are really important, not least of which as an extension of your own design values. Plus we all appreciate a graphically beautiful website. Nevertheless, representing your endorsement of sound design and aesthetics is probably not the most important job the website needs do for you.

It’s also not what I do.

I do the high-value strategic bits, the bits focused on the job your website actually has to do for you. This includes the clear definition and understanding of your audience, the distillation of your creative message, and the strategy and tactics around best channels for delivery.

I don’t cost a fortune.

My bit is of necessity strategic - that is, focused and tight. We get to the point quickly together and move forward promptly.

My service is the pinch of chilli in the overall recipe: you only need a little bit for a big bang.

I don’t hang around for months, costing you exorbitant consulting fees and burning time. It doesn't work for me and I know from my own experience running a design business that it won't work for you.

I don’t manage social media feeds.

I’m a design communications expert. I am not a social media expert or (cringe) guru. There are lots of people who can help you with the mechanics of social media, it’s a crowded field. I am interested in the meaning and the message that precede the choice and use of channel.

My highest value to you is in the crafting/discovery of the core message of your work - the story of you, and what you and your team do, what you make. I’m interested in what it means to your users and clients.

I articulate and formulate a strategic approach to communication overall, not waste your time crafting the nuts and bolts of individual tweets and instagram posts. That is not my focus, it’s not where I can really give you value for money.

In any case, if we set the overall strategic framework up right - when you and your team are crystal clear about your core message, your core purpose as a creative business - you will be the best people to feed social media on your own behalf.